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Hundreds of UK designer Max Lamb‘s works were shown with the cord-covered waste material of South Korean designer Jay Sae Jung Oh at New York gallery Salon 94 Design.
Both designers showed works across two separate exhibitions at Salon 94, an Upper East Side townhouse that was converted into a gallery through the designs of Uruguayan architect Rafael Viñoly.
Lamb‘s exhibition, called Inventory, featured one-off pieces developed by the designer over the past two decades, including his Nanocrystaline Copper, Poly Rainbow and Boulder series.
According to Lamb, the retrospective was a chance to look back and put the finishing touches on collections created years ago.
“It was time to share Max’s work as an assemblage,” Salon 94 Design founder Jeanne Greenberg Rohatyn told Dezeen.
“In constant making and motion — each body of work has a beautiful personal story.”
With collections like Western Red Cedar, Lamb experimented with ways to assemble pieces of wood that were otherwise unusable, creating sculptural forms that work with the natural shape of the wood.
The exhibition featured multiple rooms – some with large, colourful arrays of Lamb’s work, and others with more curated selections of works with similar materials.
In a separate section of the gallery, Oh showed her latest designs. Called Salvage 2.0, the exhibition presented pieces of furniture comprising of natural leather cords wrapped around found objects.
According to the designer, the Salvage series is a commentary on overconsumption and was created to show how people might make better use of what they already have around them.
“Jay’s disciplined and focused practice is the perfect counterpart,” Greenberg Rohatyn added, about the simultaneity of the show.
By bringing together forms that are still recognizable, Oh has stated that she hopes people will gain a new appreciation for the items they usually take for granted.
While past designs have included repurposed musical instruments, the Salvage 2.0 series incorporated toy biplanes, horses and telescopes; objects that were melded together using epoxy before being encased in rippled layers of leather cord.
This collection includes a bench, armchair, floor lamp and a planter. Wrapped in different colour variations of the material, the works have even more contrast and definition than earlier pieces.
“Max and Jay — though to different affect — rely on their hand, so every work is unique,” said Greenberg Rohatyn.
“Both insist on small footprints and economies. Jay’s forms are built out of other people’s defunct toys and plastics, and Max uses every off cut — whether a hole cut from a marble slab that becomes a leg for a table, or every cut of wood that becomes part of a puzzle-piece chair.”
Recently, Lamb presented his cardboard furniture with Gallery Fumi at Sized Studio during Frieze LA.
Oh’s Salvage Chair, an earlier iteration of the work at Salon 94, was shortlisted in the furniture design category during Dezeen Awards 2023.
The photography is by Sean Davidson.
The Inventory and Salvage 2.0 are on show from 29 February to 20 April, 2024 at Salon 94 Design. For more exhibitions, talks and events in architecture and design visit Dezeen Events Guide.
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